Valkirie Performance urbana di e con Francesca Giglio e Maristella Tanzi Eroine in decadenza. Unico bene rimasto un ambulante eden di plastica. Due donne. Due danzatrici. Qui si svende. Il momento è quello della crisi. Valkirie è una performance ad impatto ambientale minimo. Un’ azione per luoghi di passaggio o transito. E’ reiterazione con variazioni sul tema. Nonostante tutto, è di una noia mortale. E’ l’anti-virtuosismo, è per ...
WITHOUT by Lisa Masellis dance: Belen Duarte, Massimo Zenga, Teresa Tota, Manuela Lops, Mariano Cipriani music: Adolfo la Volpe lighting design: Carlo Quartararo Costume: Iole Cilento Production: Teatro Comunale di Ruvo di Puglia, Teatri Abitati – una rete del contemporaneo, QuaLiBò Quoting open spaces Without starts from a sense of emptiness and loss. It is not a lament. Without is better. Teatri Abitati, una rete del contemporaneo Ass. Tra il ...
One More Completely Unsuccessful Project Concept: Maristella Tanzi, Carlo Quartararo On stage: Maristella Tanzi (dance) Carlo Quartararo (technician/actor on stage) A dancer and a technician show to the nice public a selection of shows in repertory, suitable for any occasion and available for booking right now! Beyond our intentions, One more unsuccessful project is a highly autobiographical work. It’s a bit wobbly invitation to see what ...
Out of the blue Progetto Finalista Premio GD’A Puglia 2011 Di e con: Francesca Giglio; Luci: Carlo Quartararo; Musica: “Nude/Out of the blue remix” (The beautiful erosion); Costumi: Giulia Barbanente (…) “You paint yourself white And fill up with noise There’ll be something missing And now that you found it It’s gone” (…) Nude – Radiohead Out of the blue è un lavoro nudo e sintetico che accompagna ...
Spaces blend the outside is inside and the inside is somewhere else. Concept, direction and choreography: Lisa Masellis Dance: Francesca Giglio, Maristella Tanzi, Teresa Tota Live guitar and electronics : Adolfo La Volpe Voice in “ya mariam”: Fabrizio Piepoli Cameraman: Gianluca Sciannameo Live video processing: Carlo Quartararo Video advisoring: Ape 5 Production: QuaLiBò (Rearrangement 2011) Length: 50 min.
A narrow space. Something pocket-sized. A clockwork object/toy build to function. Two subjects/objects show themselves. A ring, a shop window, a platform, a disco cube to put in evidence this condition. Two modern, little dolls. Cheap dolls, plastic femininity, grotesque sensuality. Gesture and movement are self-sucient, mechanized by repetition. They remain on the surface. The attention is concentrated on the outside. “ I am the cloud. I am the lightning. ...
…showing to an audience something must remain unseen, showing something needs some privateness and discretion. With this performance we show the body in its ”truth”, we register a mood. We show the tiresome and ungrammatical portrait. The involontary movement able to made up a score. The getting back of something already known and the listen to something is blowing off. We expose an intimate relation with no real touch. This ...
If reality doesn’t respect the script of our dreams, the only thing left to do is deceiving our selves in a collective masquerade… The dancers, the light and the space are combined in order to create an iridescent world. On the stage obscurity alternates with light, touchfullness with untouchfullness, movement with immobility. The dynamic accelerations of the piece make the dancers to face their own physical limits. In its ...
Scenario Award Finalist 2005 Shadow Jury Award IV Sūr is the ancient city, suspended in time, disappeared. It is a border town separated from the ground and attached to it by the will and not by nature. It is a suspended, dreamlike and surreal place. A scales on stage is the only fixed point, the third element, without which the other two vanish. It is there to define us ...
The Oliver Sacks’s story, which is freely inspired by, is basically the excuse to tell about stuck and broken down people and things in their accidental meeting. It is the making of a story constantly distracted by something else. Rebecca, that a clinical report defines “motor retarded”, what else can be? Just another way of looking. Concept and choreography: Lisa Masellis Dance: Francesca Giglio, Olivia Giovannini, Maristella Tanzi,Claudio Compagnucci. ...
We must beware of the thoughts that come to us by night: they don’t have the right direction, by treachery they come from remote lands and they have no sense and no limits. Let’s take, for instance, the idea that came to me ……… William Least Heat-Moon Concept: Lisa Masellis Dance: Francesca Giglio, Lisa Masellis , Maristella Tanzi, Francesco Ocelli Music: ...
The work starts as a reflection around the “place” and around “Bari – a seaside city” Hundreds of empty plastic bottles are turned into a sea that tells us of only hinted life, colored liquids such as evanescent dreams. In the backdrop for the empty gaze of a thousand windows. Concept and choreorgaphy: Lisa Masellis Dance: Francesca Giglio, Maristella Tanzi, Angela Iurilli, Lisa Masellis, Nico Masciullo Music: ...